The sixth age shifts Into the lean and slippered pantaloon, With spectacles on nose and pouch on side; His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side, His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes The sixth age shifts. His youthful hose well saved a world too wide. with eyes severe and beard of formal cut. With eyes severe and beard of formal cut, Full of wise saws* and modern instances; And so he plays his part. With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part." "In fair round belly, with a good capon lined, with eyes severe, and beard of formal cut" - these phrases are sort of jumbled around, possibly to mimic the way a justice might speak. With eyes severe and <---imagery beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts. Figures of Speech: Inversion Explanation: Here, the order of the words has been changed for poetic effect. With eyes severe and beard of formal cut, ... ull of wise saws," meaning wise sayings, and "modern instances," which refers to contemporary situations, meaning that … With eyes severe and beard of formal cut, Full of wise saws and modern instances; ... investigating into existential concepts such as free will and our meaning and purpose in life, which is the overarching theme of the poem. With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side,<--imagery His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly <--alliteration voice, - What does this mean and how does it seem sort of joking? With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side, His youthful hose, well sav'd, a world too wide. The sixth age shifts Into the lean and slippered pantaloon* With spectacles on nose and pouch on side; His youthful hose, well saved, a world too wide For his shrunk shank, and his big manly voice, Turning again toward childish treble, pipes With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slippered pantaloon, With spectacles on nose and pouch on side; His youthful hose, well saved, a world too wide For his shrunk shank, and his big manly voice, Turning again toward childish treble, pipes With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. Figures of Speech: Transferred Epithet. The correct order is “with severe eyes and formal cut beard.”. Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side, His youthful hose, well saved, a world too wide Into the lean and slippered pantaloon, With spectacles on nose and pouch on side, His youthful hose, well saved, a world too wide. With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. "The sixth age shifts. The sixth age shifts Into the lean and slippered pantaloon,

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